Carl Bridge
Inspired by traditional Konden masks, these masks were used in sacred ritual.
Inspired by ancient lyres that utilized horn as arms
Created to connect and cover front and back of performers head.
Bird Goddess 1
These sculptures were inspired by ancient figurines. This series of work grew out of projects introducing students to wire form armatures. It progress into exploring materials beyond clay that could be used to create a finished product
Created for use in dance performance.
Commissioned request.
I began making these ass my practice of traditional percussion deepened, and I became exposed to additional West Affrican instruments, Ngoni became a way for me to get back into playing melodic instruments.
These sculptures were inspired by ancient figurines. This series of work grew out of projects introducing students to wire form armatures. It progress into exploring materials beyond clay that could be used to create a finished product
These sculptures were inspired by ancient figurines. This series of work grew out of projects introducing students to wire form armatures. It progress into exploring materials beyond clay that could be used to create a finished productBird Goddess 2
These sculptures were inspired by ancient figurines. This series of work grew out of projects introducing students to wire form armatures. It progress into exploring materials beyond clay that could be used to create a finished product
Made for interactive performer at Ney York Fairie Festival
Made for interactive performer at New York Fairie Festival
Made for interactive performer at Ney York Fairie Festival
Made for interactive performer at Ney York Fairie Festival
Made for interactive performer at Ney York Fairie Festival
Made for interactive performer at Ney York Fairie Festival
I began making these ass my practice of traditional percussion deepened, and I became exposed to additional West Affrican instruments, Ngoni became a way for me to get back into playing melodic instruments.
I began making these ass my practice of traditional percussion deepened, and I became exposed to additional West Affrican instruments, Ngoni became a way for me to get back into playing melodic instruments.
